|Working Class - new CMT sitcom (photo from NYT)|
But of course we know that's not what will happen. What will happen is that the big networks will look at these new, brightly-liveried, low-cost, no-assigned-seating comedies and they will look at their own beloved, high-budget, single-camera, first/business/premium economy/economy/free-meal-with-every-seat comedies and they will change the way they make their shows. That's not actually going to affect the world's biggest comedy juggernaut too much. Two and a Half Men will continue as it has always done, because it's a traditional multi-camera setup and it's shot like an old-fashioned comedy. They might lose the studio audience (if they haven't already. I don't know if they tape that show in front of an audience, actually) but otherwise they're probably fine. But the shows I truly love could be in big trouble. Who's going to give Dan Harmon the money to bring in actual movie directors for his wonderfully crafted Community if shows like Working Class become the norm?
|NBC's Community - photo from some other blog somewhere|
Watching the DVDs of the first season of Community, it's easy to see the work that goes into this show, from everyone. They treat these episodes like 20-minute films. They care about the costumes, the characterisation, the story arc, the music, the effects, the props (check out some of the posters on the walls around the college when you have time), and they still manage to pack in jokes. You can't do that kind of thing if you've got a three-day shooting schedule and you're working on sets left over from someone else's pilot.
I guess what I'm saying is that you should buy Community on DVD. I guess that's mostly my point.